Arts and Design

All Items

• ON THE PORTRAIT OF WILLIAM SHAKESPEARE FROM THE FIRST FOLIO: IMAGE, CONSTRUCTION, INTERPRETATION

  Prof. Maria Popova, D.Sc. (Author)

  224-231

• THE GALLERY SPACE – THE HOME OF PAINTING

  Denitsa Dobrinova Dimitrova (Author)

  174-184

• DEFINITIVE CHANGES OF THE TERM "AUTHENTIC" IN THE CONTEXT OF BULGARIAN FOLKLORE CULTURE

  prof. Mariya Kardzhieva, PhD (Author)

  162-173

• CONSTRUCTING IMAGES OF THE UNDERCLASS IN CONTEMPORARY DANCE CREATION FROM A LINGNAN PERSPECTIVE: TAKE THE DANCE WORK "TIME IN THE HANDSHAKE BUILDING" AS AN EXAMPLE

  Zou Yueer (Author)

  13-22

• AN ATTEMPT TO HISTORICALLY TRACING THE EMERGENCE OF THE VOCAL GROUP IN AN EXTRACURRICULAR ENVIRONMENT

  Anastasia Ivanova Batkova, PhD (Author)

  519-526

• MODERN BALLET'S BREAKTHROUGH AND RESHAPING OF TRADITIONAL BALLET AESTHETIC CONCEPTS

  Song XinYi (Author)

  493-507

• THE VALUE AND APPLICATION OF IMPROVISATION IN DANCE CHOREOGRAPHY TRAINING

  Song XinYi (Author)

  483-492

• LITERATURE – MUSIC – VISUAL ARTS: INTERMEDIATE INTERPRETATION OF THE TEXTIN PRE-SCHOOL EDUCATION

  Dеsislava Siderova (Author)

  185-192

• MAURICE RAVEL'S MUSICAL CAREER AND CREATIVE STYLE

  Li Xiaoyu (Author)

  133-139

• THE CREATION OF “LA VALSE” BY MAURICE RAVEL AND THE STUDIES ON IT IN CHINA AND THE WEST

  Li Xiaoyu (Author)

  94-103

• THE EARLIEST CHINESE WORKBOOK FOR ACCORDION

  In Huang (Author)

  853-859

• ACTIVITIES OF THE CHINESE ASSOCIATION OF HARMONICA IN SHANGHAI, RELATED TO ACCORDION

  Ing Huang (Author)

  846-852

• "VARNA" FOLKLORE ENSEMBLE – ESTABLISHMENT AND CONTINUITY

  Dilyan Zlatkov Galev (Author)

  666-673

• THEORETICAL PERSPECTIVES ON THE STAGES IN THE DEVELOPMENT OF FOLK-BASED DANCE ART UNTIL THE END OF THE 20th CENTURY

  Dilyan Zlatkov Galev (Author)

  657-665

• MUSICAL SETTINGS OF A LYRICAL INSPIRATION – „NUR WER DIE SEHNSUCHT KENNT” BY JOHANN WOLFGANG VON GOETHE

  Elvira Todorowa Mateva (Author)

  674-683

• CHRONOLOGY IN THE REPERTOIRE OF THE ENSEMBLE "VARNA"IN THE ASPECT OF DANCE CREATIVITY

  prof. Mariya Kardzhieva, PhD (Author)

  603-610

• CARICATURE AS A METHOD OF CREATING CHOREOGRAPHY

  Silvina Vladimirova Vladova (Author)

  222-228

• DANCE VOCABULARY: FOLKLORE, CHERACTER DANCE AND CONTEMPORARY DANCE

  PhD Julia Romeova Yordanova (Author)

  100-107

• „THERE IS CHUMBE, THERE ARE NO KUNTSI, LONG LIVE THE STARCHEVATA“

  Assoc. Prof. Dr. Danail Atanasov (Author)

  89-99

• YOUTH, TALENT AND PASSION FOR BULGARIAN FOLK MUSIC

  prof. Dr. Galya Petrova-Kirkova (Author)

  80-88

• THE POSITIONING AND RESHAPING OF AESTHETIC EDUCATION IN DANCE EDUCATION AT ART COLLEGES AND UNIVERSITIES UNDER THEINHERITANCE OF THE CHINESE CULTURE

  Ding Ni (Author)

  322-335

• EXPLORING THE APPLICATION OF THE ESSENTIAL ELEMENTS OF DANCECREATIVITY IN DANCE EDUCATION

  Chen Ya-Fen (Author)

  216-229

• EXPLORING APPLICATIONS AND STRATEGIES FOR USINGBOOKS IN TEACHING CHILDREN TO DANCE

  Chen Ya-Fen (Author)

  230-245

• WOMEN'S FOLK DANCING IN "BOOK COLLECTION FOR FOLKLOREAND ETHNOGRAPHY" IN TEN VOLUMES

  Gergana Tulishova (Author)

  192-205

• SUZUKI METHOD AND THE “MOTHER TONGUE”

  Kalina Ivanova Decheva (Author)

  564-570